An Art of Leaving : Palash Mahmud

-

 

An Art of Leaving

Palash Mahmud




 

When you set foot

To cross the door leaving

Everything behind.

To walk alone.

Knowing-

No longer you

Coming back.

Do you feel what you feel?

Clipping-

Your past with glue

Behind the curtain

Hanging on the wall at the north corner.

Despite your splendid ignorance.

Who will be your new past?

Have you ever bought any scale?

To measure-

Who loses whom?

In the scratches of an act of leaving 

Comments

Post a Comment

Popular posts from this blog

শুদ্ধ দেশ: পলাশ মাহমুদ

-
Image
 শুদ্ধ দেশ -পলাশ মাহমুদ ন্যায়ের মাঝে বাঁচা, উত্তম বাঁচা।স সত্য সরল জীবন। কতো অমৃতময়! শুধু প্রেমের সংলাপে বিশ্বসাজলে হবে কি? বিদ্বেষের অন্ধপ্রলাপ বনবাসে পাঠাবে কে? আশৈশব এইসব পদাবলীর সুর বেজেছে মগজে মননে, কাগজে পুরাণে। তবে কেন আজ। যতো পথ যাই। যতো মত পাই। বিনাশের গিরিনন্দনে বোধনের এমন ক্রমপতন। তবে কেন আজ। যতো দূর চোখ মেলি। যতো কাছে মন রাখি। বিবাদের সমুদ্রমন্থনে আকালের এমন উর্ধ্বমাদল। আবার কবে কৈলাশের চূড়ায় উঠে ব্রহ্মনদের অতল খুঁড়ে, ফিরে এলে দেখা পাবো। আমার আপন শুদ্ধ দেশ। এবার তবে নীরবতার আগড় খুলে ভুল ভাবের কেতকীভূষণ ছেড়ে, পুর্নবার গড়ে তুলি মানুষে মানুষ। 
Read more

Shoeshine [1946] : Vittorio De Sica

-
Image
  After watching Vittorio De Sica’s Shoeshine [1946], it is evident why the Indian subcontinent was so much moved and influenced by Italian neorealism. I think the rationale of being realistic in Indian cinema was more impactful than Italian neorealism. Because India had one additional ground to illustrate her cinema in neorealist mold. It is its independence and great partition which occurred concurrently while the west was suffering from  Second World War devastation. Apart from cinematic techniques, art direction, costumes, and narrative subjects; neoliberalism made paramedic change into acting styles. The acting had been transcended from theatrical to natural. The spontaneous presence of child artists with ever presence of class division in the power structure and distributed justice in the human conditions are the main concerns. Surprisingly, K.A. Abbas’s Dharti Ke Lal [1946, Chetan Anand’s Neecha Nagar [1946] was also made and released in India in the same year. This tradition ha
Read more

The 2020 Booker Long List: The Fresh List in the Time of Solitude

-
Image
2020 is a very strange time, probably, in this passing century, people from all over the world have been in a long solitude with anxiety from the beginning. On the event of the announcement of Booker prize long list on 28 th July, at midnight in London but in the very early morning in Dhaka, readers from around the world have got startled either before going to sleep or after getting up from the dreams when they have seen “The Booker Dozen” or the list of 13 finest fictions in English from October, 2019 to September, 2020 published in the UK/Ireland. Though it has already made a buzz that US eligibility has pushed the prize from English atmosphere to American milieu, this is the most surprising and versatile long list in the Booker history that more than half (8/13) of them are first appearance in the world of long-fiction, pages started from 192 ( Redhead by the Side of the Road ) to 912 ( The Mirror & the Light ), two of them are completing their decades-long trilogy, two of
Read more