Pyaasa [1957] : Guru Dutt

-



The opening scene of Pyaasa (1957) where Bijoy (Guru Dutt) laying on the grasses and observing the playfulness of nature is just as mindful as a flying butterfly or the floating clouds. The extra close-up shots are masterful and as elegant & detailed as the impressionist paintings.


I think the sequence where Gulabo (Waheeda Rehman) lures Bijoy to her Kotha (whorehouse) singing a song with a tune of his lyrics (Shayari Ka dhun) and he stalks after her through the surrealistic alleys of the city is nothing but a subtle experience of cinematic visuals. One needs a gifted artistic sensibilities of or longstanding adoration and cultivation over narratives & visuals to touch such marvelous milestones.

Guru Dutt is one of the raw and rare auteurs following the tradition of Charlie Chaplin, Tarkovsky, Bimal Roy, Alamgir Kabir & so on and on.


Pyaasa [1957]
Guru Dutt
Hindi, India

Comments

Post a Comment

Popular posts from this blog

বুনোহাঁস : পলাশ মাহমুদ

-
Image
  Photo Credit: Palash Mahmud    বুনোহাঁস -পলাশ মাহমুদ   এইতো তুমি নিখোঁজ হলে আমায় রেখে আসবে বলে চলে গেলে।     তোমার জন্য এইতো আমি উদাস হাওয়ায়, অপেক্ষাতে দাঁড়িয়ে থেকে বৃক্ষ হলাম।   কাকে বলবো, বলো?   যে মন বুনোহাঁস হয়ে মেঘের মাঝেতে ডুবে থাকে। তার চোখেতে জলের ধারা তারার তিমির রাখে।   কে জানে, বলো?   কী সহজ! কাছের কিছু হারিয়ে ফেলে ভুলে থাকা।   কী কঠিন! বৃক্ষ হয়ে, অভিমানে দাঁড়িয়ে থাকা।
Read more

Shoeshine [1946] : Vittorio De Sica

-
Image
  After watching Vittorio De Sica’s Shoeshine [1946], it is evident why the Indian subcontinent was so much moved and influenced by Italian neorealism. I think the rationale of being realistic in Indian cinema was more impactful than Italian neorealism. Because India had one additional ground to illustrate her cinema in neorealist mold. It is its independence and great partition which occurred concurrently while the west was suffering from  Second World War devastation. Apart from cinematic techniques, art direction, costumes, and narrative subjects; neoliberalism made paramedic change into acting styles. The acting had been transcended from theatrical to natural. The spontaneous presence of child artists with ever presence of class division in the power structure and distributed justice in the human conditions are the main concerns. Surprisingly, K.A. Abbas’s Dharti Ke Lal [1946, Chetan Anand’s Neecha Nagar [1946] was also made and released in India in the same year. This tradition ha
Read more

The Gospel According to the New World : Maryse Condé

-
Image
Gospel is the first novel of Maryse Condé I have read ever. And I am blown out from this unequal world but come back to read her rest of the books.  Bulgarian Gospodinov's Time Shelter sends the present times to the past whereas Guadeloupean Maryse's Gospel brings the past times to the present.  Gondé has assembled the brief narrative of the world in this  new kind of novel, as daring and dearing as I have been searching for. Richard Philcox's creative collaboration with Maryse Condé as translator and partner is one of the  finest literary pairs in the history of literature. It will require a hack of time to write a complete review so I have just written my first impression on each chapter of the Gospel. 1. Less The history of love marriage and the culture of their validation are all under the pitch-black doubt. 2. Diversity  The history of homogeneities and the cultures of sapiens are all constructed and a mere evolution in essence. 3.Words It's a word that forms our t
Read more