After watching Vittorio De Sica’s Shoeshine [1946], it is evident why the Indian subcontinent was so much moved and influenced by Italian neorealism. I think the rationale of being realistic in Indian cinema was more impactful than Italian neorealism. Because India had one additional ground to illustrate her cinema in neorealist mold. It is its independence and great partition which occurred concurrently while the west was suffering from Second World War devastation. Apart from cinematic techniques, art direction, costumes, and narrative subjects; neoliberalism made paramedic change into acting styles. The acting had been transcended from theatrical to natural. The spontaneous presence of child artists with ever presence of class division in the power structure and distributed justice in the human conditions are the main concerns. Surprisingly, K.A. Abbas’s Dharti Ke Lal [1946, Chetan Anand’s Neecha Nagar [1946] was also made and released in India in the same year. This tradition ha
Photo Credit: Palash Mahmud বুনোহাঁস -পলাশ মাহমুদ এইতো তুমি নিখোঁজ হলে আমায় রেখে আসবে বলে চলে গেলে। তোমার জন্য এইতো আমি উদাস হাওয়ায়, অপেক্ষাতে দাঁড়িয়ে থেকে বৃক্ষ হলাম। কাকে বলবো, বলো? যে মন বুনোহাঁস হয়ে মেঘের মাঝেতে ডুবে থাকে। তার চোখেতে জলের ধারা তারার তিমির রাখে। কে জানে, বলো? কী সহজ! কাছের কিছু হারিয়ে ফেলে ভুলে থাকা। কী কঠিন! বৃক্ষ হয়ে, অভিমানে দাঁড়িয়ে থাকা।
It was 1949. The new born country was in the process of coming out of British influences in every aspect and facing a great crisis of duality of cultural & intellectual blending and existential crisis. On the high moment, Mehboob Khan’s Andaz [1949] shed lights on the exact spot through a rom-com narrative. The Indian upbringing with European liberalism of Meena played by Nargis had reflected in a balanced way in the movie. The trio mega stars of that time [Nargis Dutt, Dilip Kumar & Raj Kapoor] in the same movie made it a big attraction that time I suppose. The narrative also reminds me of Adhiyaman's Hum Tumhare Hain Sanam [2002] starred by another trio Madhuri Dixit, Shahrukh Khan & Salman Khan with a different rendition. The high value of women's loyalty and morality over love, lust & marriage are significantly exercised as it has been in Mother India [1957]. Andaz [1949] Mehboob Khan Hindi, India
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