2020 is a very strange time, probably, in this passing century, people from all over the world have been in a long solitude with anxiety from the beginning. On the event of the announcement of Booker prize long list on 28 th July, at midnight in London but in the very early morning in Dhaka, readers from around the world have got startled either before going to sleep or after getting up from the dreams when they have seen “The Booker Dozen” or the list of 13 finest fictions in English from October, 2019 to September, 2020 published in the UK/Ireland. Though it has already made a buzz that US eligibility has pushed the prize from English atmosphere to American milieu, this is the most surprising and versatile long list in the Booker history that more than half (8/13) of them are first appearance in the world of long-fiction, pages started from 192 ( Redhead by the Side of the Road ) to 912 ( The Mirror & the Light ), two of them are completing their decades-long trilogy, two of...
" This is the nature of war: By protecting others, you save yourselves. If you only think of yourself, you'll only destroy yourself " When I heard Kambei Shimada ’ s dialogue , a ronin , the leader of samurais starred by Takashi Shimura ; I just press the pause button instantly to hear it repeatedly and felt a great pleasure and thought that is the essence of human artistic prestige that drive us to surrender to art both spiritually and philosophically. If Rashomon [1950] was about technically triangular compositions then Seven Samurai [1954] is about cinematically crowd compositions. I am amazed w...
Sometimes, I watch some parts of a film in mute mode like the silent era; I do not read the titles. The reason behind these errands is very crucial to me; firstly, I want to catch the story line without external assistance then comes the point of finding the thrilling cinematic tempo and pace of the film themselves. If I can stand by the following sequences and enjoy the moments of watching the film, I come to the conclusion that this is a good film and can survive the taste of time and space beyond borders. This is one kind game for me as of today. I was not informed about the inspiration of Throne of Blood [1957] and it is likely a Japanese adaptation of Shakespeare’s Macbeth [1606]. But in the course of the watching, the film seemed to me a bit gray and monotonous in the tempo and mood. May be mostly because of its theatrical, gothic and formalist staging and acting. But Akira’s cinematic compositions, Toshiro Mifune’s spirited acting and Masaru Sato’s subtle musical sc...
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