Beauty and the Dogs : Kaouther Ben Hania

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It requires a blink of eyes to commit a crime, to snatch one's dignity ; but to uphold the loftiness of the value of humans liberty, it demands a race on the long road to reach justice land. Committing crime is a communal thing but holding rights is sometimes a solitary journey in "Beauty and the Dogs' 2017, a debut feature by Tunisian movie maker Kaouther  Ben Hania.


Ben Hania's cinematic styles are very much unique in a essence. Its was a dazzling voyeuristic journey with extrem long long shots in "The Man Who Sold His Skin"(2020). The story lines are so unusual and may be audiences don't be ready to  watch the episodes of denial in social settlement projecting on silverscrem with such brutal truth. 

I have got a unprecedented knock over theatrical scenes divisions have applied with so dexterity.  It seemed to me as if I were watching a Shakespearean drama sitting on the middle row in a theater hall. I was not familiar with these kind of screen space divisions as far as I know. When the first scene started with tracking the protagonist without cutting the shot in the club house in the palace hotel in the midst of vivid colors and high bass music captured in uncut shots via  steady or hand held camera.

 Iñárritu's "Bardo, False Chronicle of a Handful of Truths" (2022) shooted in a club almost similar tonal texture.


🎬Beauty and the Dogs [2017]

[Arabic: على كف عفريت]

 by Kaouther Ben Hania

Arabic, Tunisia 


PS: I watched "Beauty and the Dogs" to have a taste of the representative film from each nominated director of the 2023 Cannes Film Festival. 


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