Dominicana: A Tale of Oscillated Identities of Diasporic Existence

As the evening invade the avenue in James Joyce ’s Eveline; a ravenous world waits outside for Ana Cancion in Angie Cruz ’s Dominicana –a multiply rejected novel by the editors turned into celebrated universally and shortlisted for the 2020 Women Prize for Fiction in competition with Bernardine Evaristo’s Girl, Woman, Other , Hilary Mantle’s The Mirror and the Light , Natalie Haynes’ A Thousand Ships , Maggie O’Farrell’s Hamnet , Jenny Offill’s Weather . Ms Cruz, in an interview with PEN , admitted her fascination she borrowed the impact of Evline’s ‘a wholly undesirable life, to Ana’s a transactional life, similarly, when I read ‘...a good country girl is what a man needs...’ and when Ana’s mama said, ‘may be with Juan we can all get the hell out’, the line first hit in my mind is ‘it is a truth universally acknowledged, that a single man in a possession of a good fortune must be in want of a wife’ from Jane Austen’s Pride and Prejudice . The novel is a...